Lamand is a research-based artist studio that rejects the boundaries between reality and fiction to rethink a state of uncertainty inherent to our historical moment through contemporary art/cinema.
The studio advocates for parafiction as a vital method which produces new information and perspectives acting as an additional module that connects physical and digital spatio-temporal with alternative potential for pasts, presents, and futures.
Whether working on commissions or developing self - initiated projects, the studio applies the same rigorous attention to context, processes, and details.
Lamaland’s analytical nature translates in meticulous visual outcomes, productions, strategies that range from publications, film, video and sound installation.
The studio advocates for parafiction as a vital method which produces new information and perspectives acting as an additional module that connects physical and digital spatio-temporal with alternative potential for pasts, presents, and futures.
Whether working on commissions or developing self - initiated projects, the studio applies the same rigorous attention to context, processes, and details.
Lamaland’s analytical nature translates in meticulous visual outcomes, productions, strategies that range from publications, film, video and sound installation.
DEVELOPEMENT
VERTIGO
AL·LE·GO·RY
PRODUCTION
PANTHERAS
PANTHERAS
PANTHERAS COSMOLOGY
OURO E CINZA/GOLD AND ASHES
GOLD AND ASHES
GOLD AND ASHES / REDUX
PARAFICTION II
PARAFICTION II
PROBLEMS OF TRANSLATION AND CRITIQUE: ON THE CREATIVE PROCESS AND OTHER PRAGMATISMS
PROJECTS
2022 — LA VAGUE
2021 — GAIA
2021 – WHAT IF THE METEORITES WOULD TALK
2021 – GAIA: WHAT IF THE METEORITES WOULD TALK
2021 – GAIA
2021 — HOTEL ROYAL
2020 – HR
2021 – HOTEL ROYAL
2020 — O TEATRO E A PESTE/THE THEATRE AND THE PLAGUE
2019/20 — EXTRACTION: THE RAFT OF THE MEDUSA
2019 —EXTRACTION: THE RAFT OF THE MEDUSA (FOR INTERDEPENDENCE – CINEMA AND ART JOINING FORCES TO RAISE AWARENESS ON THE ENVIRONMENT AND THE CLIMATE CHANGE)
2019 —EXTRACTION: THE RAFT OF THE MEDUSA
2020 —EXTRACTION: THE RAFT OF THE MEDUSA
2020 —EXTRACTION: THE RAFT OF THE MEDUSA
2019 — O CORPO, A SEXUALIDADE E O ERÓTICO NA OBRA DE JÚLIO POMAR / THE BODY, SEXUALITY AND THE EROTIC IN THE WORK OF JÚLIO POMAR
2018 — TERMINAL, METRO, HANGAR, PROJECT
2018 — TERMINAL
2018 — METRO
2018 — HANGAR
2016/19 — FATAMORGANA, PROJECT
2017 — FATAMORGANA
2018 — WHAT DO WE TALK ABOUT WHEN WE TALK ABOUT FATAMORGANA
2018 — AFFEKTENLEHRE
2018/19 — ©FATAMORGANA
2019 — FATAMORGANA
2018 — EXTINÇÃO / EXTINCTION, PROJECT
2018 — EXTINCTION/ÇÃO
2015 — A TORRE
2017 — HORIZON NOZIROH
2016/18 — AUTORRETRATO / SELF-PORTRAIT
2016 — SELF-PORTRAIT
2017 — AUTORRETRATO
2018 — SELF-PORTRAIT
2018 — DREAM WORLD
2017 — UBI SUNT I-III, PROJECT
2017 — UBI SUNT I
2017 — UBI SUNT II
2017 — UBI SUNT III
2017 — COUP DE GRÂCE
2016 — ELDORADO XXI, PROJECT
2016 — EL DORADO XXI
2015 — THE BURIAL OF THE DEAD 2
017 — MOUNT ANANEA
2016 — …RIOTS AND RITUALS
2013 — THEATRUM ORBIS TERRARUM
2013 — THEATRUM ORBIS TERRARUM
2013 — THEATRUM ORBIS TERRARUM
2012/15 — NO MAN’S LAND, PROJECT
2012 — NO MAN’S LAND
2015 — LE BOUDIN
2015 — NORTE / NORTH TRIAL BY FIRE
2012 — ENCOUNTERS WITH LANDSCAPE (3X)
2012 — A COMUNIDADE / THE COMMUNITY
2008/2012 — EARLY WORKS
2012 — VHS VIDEO HOME SYSTEM
2011 — IMPERIAL GIRL
2010 — GOLDEN DAWN
2009 — JOTTA: A MINHA MALADRESSE É UMA FORMA DE DELICATESSE
2008 — SWAN GIRL PALIMPSEST OR IT RAINED FOR TWO DAYS, AND THE LANDSCAPE HAS CHANGED