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THE BURIAL OF THE DEAD (2016)
Three-channel HD video installation, 2:39, color, three-channels mono sound, 90 min. sync in a loop, Peru-Portugal-Switzerland-France
Commission: Biennial of Moving Images (BIM 2016)
Production: Centre d’Art Contemporain de Genève with the support of Fonds d’Art Contemporain de la Ville de Genève (FMAC), Fonds d’Art Contemporain du Canton de Genève (FCAC), FAENA ART, In Between Art Film, HEAD. Produced with materials collected in April 2015 for the shooting of the feature film Eldorado XXI (2016) by Salomé Lamas produced by O Som e a Fúria and Shellac Sud. With the support of ICA Instituto do Cinema e Audiovisual, CNC Centre Nacional du Cinéma et de l’Image Animée, Ministère des Affairs Étrangères et du Développement International – Institut Français, Eurimages – Council of Europe and the additional support of FIDLab2013 FID Marseille, Rockefeller Foundation – Bellagio Center, DAAD Artists-in-Berlin, The MacDowell Colony, Bogliasco Foundation, Yaddo

The Burial of the Dead is an original video installation by artist Salomé Lamas produced in the
framework of the Biennial of Moving Images 2016 (BIM), Switzerland.

The project is co-produced by Centre d’Art Contemporain de Genève with the support of Fonds d’Art
Contemporain de la Ville de Genève (FMAC), Fonds d’Art Contemporain du Canton de Genève (FCAC),
Faena Art, In Between Art Film, HEAD.

The project is produced with materials collected in April 2015 for the shooting of the feature film
Eldorado XXI (2016) by Salomé Lamas produced by O Som e a Furia and Shellac Sud with the support
of ICA Instituto do Cinema e Audiovisual, CNC Centre Nacional du Cinéma et de l’Image Animée,
Ministère des Affairs Étrangères et du Développement International – Institut Français, Eurimages –
Council of Europe and the additional support of FidLab2013 Fid Marseille, Rockefeller Foundation –
Bellagio Center, DAAD Artists-in-Berlin, MacDowell Colony, Bogliasco Foundation, Yaddo.

There is no need to design or stage an apocalyptic landscape, for the earth we inhabit is already in
crisis and the apocalypse is now. Attempting to redefine ethnographic film tradition, The Burial of the
Dead is a video installation set in the Peruvian town of La Rinconada at an altitude of 5,200 meters on
the edge of a gold mine; it captures a dystopian world that scarcely seems possible in the 21st
century. Lamas has constructed a cinematic triptych to convey the extremity of this situation and the
dimensions of its misery without having to resort to graphic images – indeed a dantesque escherscape
of haunting beauty.

55
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.
– Waste Land, ‘The Burial of the Dead’ by TS. Eliot.

Shooting of Eldorado XXI (2016), April 2015
(Credits for other production stages of Eldorado XXI were excluded)
Written and directed: Salomé Lamas
Producers: Luís Urbano and Sandro Aguilar
Co-producer: Thomas Ordonneau
Associate producer: Maxim Holland
Cinematography: Luis Armando Arteaga
Sound: Bruno Moreira
Production director: Raquel da Silva
Production manager: Lali Madueno
Fixer: Niche Neceforo, Leon Quispe Huaranca
Drivers: Edwin & Nercy
Catering: Juan Quispe
Sound and image equipment: Screen Miguel Nabinho
Insurance: Gras Savoye, Riskmedia
Translations: Gloria Dominguez

Portugal, O Som e a Fúria
Production: Joaquim Carvalho, Cristina Almeida, Fabienne Martinot, Sofia Bénard
Accountants: Aline Alves, Amadeu Dores

France, Shellac Sud
Coordination of production: Francine Cadet
Assistant: Marion Schreiber
Administration of production: Cyrille de Laleu
Assistant: Elodie Latriglia

Peru, Tambo Films
Coordination of production: Celine Wald
Accountant: César Egoavil

Additional credits for The Burial of the Dead (2016)
Editing: Salomé Lamas
Editor assistant: Rita Quelhas
Intern: Henrique Real
Sound concept and design: Miguel Martins
Sound mix: Miguel Martins
Sound studio: Sunflag, Lisbon
Color grading: Caique De Souza
Lab: Filmfactory, Paris
Original music: João Lobo and Norberto Lobo
Exhibition design: Fernando Brízio

Switzerland, Centre d’Art Contemporain de Genève
Head of exhibitions and registrar: Maxime Lassagne
Head of communication and special projects: Natalie Esteve
Assistant to the director and external relations: Priscilla Gonzalez
Administration: Régine Gorgerat
Technical coordination: Benoît Delaunay
Education department: Frédéric Stordeur

Biennial of Moving Images (BIM)
Artistic direction, curators: Cecilia Alemani, Caroline Bourgeois, Elvira Dyangani Ose, Andrea Belini

Festivals/Screenings (selection)
2017 - Faena Art Center, Buenos Aires, Argentina / upcoming
2017 - Faena Forum and Bazaar, Miami Beach, USA / upcoming
2016 - Centre d’Art Contemporain de Genève, Switzerland

Non-Commercial Rights: FMAC’s Médiatèque, Switzerland

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